
We’re all familiar with the problem of the rising tide of information.
But how do you wrestle with that wave? The growing magnitude and complexity of information is not going away, and yet by most accounts the bandwidth we possess to process that information is going to remain fairly constant (barring any long-overdue cybernetic enhancements.) How do you parse that wave into a channel fit for human consumption?
There are plenty of ways, but I’m only going to focus on one theory here. I’m also going to have some problems with it.
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So a friend came over tonight. We hadn’t talked in a while, and he wanted to meet the baby, and so we talked and ate and some small and great things were exchanged, including two books. For the baby there was The Monster at the End of this Book, and he took our copy of Vonnegut’s Bluebeard.
How this is relevant to visual thinking involves a couple hops, but it seems natural to me:
Kurt Vonnegut wrote. He wrote 14 or so novels, an equal number of collections, and some plays. He was good enough at it to make it his profession. And of course he left a lasting mark on the pliable morality of many teenagers who were lucky enough to have his books on their summer reading lists. He did this with words.
But he also drew stuff. Although I struggled tonight to remember the plot of Bluebeard (what was the fate of Rabo Karabekian’s secret?) what will forever be burned in my brain is Vonnegut’s glyphic resampling of the asterisk. I remember meeting it at the bottom half of a right-facing page in the early pages of a paperback book, and it’s been in my head ever since.
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