19th
November
2001
“No serious poster enthusiast would question San Francisco’s supremacy as the Mecca and mother lode of rock and roll art. And as the psychedelic explosion in Haight Ashbury reverberated across the country and around the world, other cities began to produce posters in homage to the original Sixties esthetic that drove the poster renaissance in San Francisco. Yet arguably, after San Francisco, no city can boast as rich a music poster tradition as Austin, Texas, where from the mid-Sixties until today a fortuitous combination of factors has spawned a mind-boggling barrage of posters and handbills.”
This entry was posted
on Monday, November 19th, 2001 at 12:00 am and is filed under Graphic design.
You can follow any responses to this entry through the RSS 2.0 feed.
Both comments and pings are currently closed.
19th
November
2001
“No serious poster enthusiast would question San Francisco’s supremacy as the Mecca and mother lode of rock and roll art. And as the psychedelic explosion in Haight Ashbury reverberated across the country and around the world, other cities began to produce posters in homage to the original Sixties esthetic that drove the poster renaissance in San Francisco. Yet arguably, after San Francisco, no city can boast as rich a music poster tradition as Austin, Texas, where from the mid-Sixties until today a fortuitous combination of factors has spawned a mind-boggling barrage of posters and handbills.”
This entry was posted
on Monday, November 19th, 2001 at 12:00 am and is filed under Music.
You can follow any responses to this entry through the RSS 2.0 feed.
Both comments and pings are currently closed.
